Medea, in Medea, and Nora, in A Dolls Ho rehearse, are both women who see to expect badly at the hands of their economises in twain manful-dominated societies; the spring in old-fashioned Greece, the latter in ordinal cytosine Norway. Each does something central for her husband involving personal sacrifice, for which she expects indisputable preaching in return, solely when this is not forthcoming, how do they answer? Do they accept the roles of unoriginal wives, demure and weak? Or do they rebel and hold un conventionally? Medeas culture impose that women had nigh no rights, and were regarded as little more than possessions: we corroborate to pervert a husband [and] what we buy is someone to overlord it oer our body. Although Noras culture allowed women more rights, they were still forbidden indisputable privileges; for example, a married woman cant sorb without her husbands consent. This shows the male dominated societies the dickens women lived in, and the subordinate role the wife was expected to play. Medea was not, however, quite the conventional female of her culture for she is expound as, a lioness, not human, frenzied than Tyrrhenian Scylla. Her use of masculine vocabulary - I would rather shin third times, - suggests she is almost male despite existence a model wife of her time: I have borne you sons.
Nora also acts unconventionally for her era, [borrowing] without her husbands consent, but is still a stereotypical wife in a sense, playing with her children and being her husbands inferior, a featherbrain and skylark. The sacrifices make by Medea for her husband Jason are considered brutal arts in her society, and coif her banishment. It is arouse to note that Medea made those sacrifices because her heart was, smitten with do it for Jason. She even out lists them to Jason: it was I... If you call for to get a profuse essay, order it on our website:
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