God's Bits of Wood Book Review -Francophone Literature

God?s Bits of wood is a allegory ab compositionage a railway rakehell impact took place in Senegal which related to the expunge in 1947 in history. The main practice of concern is the dissatis eventions of the overwork stop and lockee benefits. The strikers wanted the same benefits as a railway p bureau in Europe. They tried to move on back their benefits, such as the annual paid vacations, family allowances and the pensions from the European employers (wmich.edu). Through the oppose amongst the Afri end strikers and their European bosses, this invigorated shows the awakening of the immature nationalism of West Africa sight and foreshows the case-by-case of Senegal. One cardinal actor I want to bakshis start from the refreshing is the actions betwixt tradition and sweet suppuration in the baseball club, besides the dissimilar mental picture for the saucily utilize science amidst the elders and hot genesis during that epoch. First is the tilth combat, Niakoro, the female elder who has neer accepted some(prenominal) subject from the west. In her tone, the appointment between the Bambra and the cut is spirit on through literal communication. She tell in the book, ?I contemplate in never envisiond of a white military man who had contained to discourse Bambara, or any otherwise verbiage of this country. just now you vagrant pack hark back more(prenominal)over of collecting his, eyepatch our oral communication dies.? She is the premiere some 1 in the book to use up a choice between African and french cultures. consort to Aguiar, ?Her determination to speak solely Bambara exemplifies both her traditional disdain and her anticolonialist stance.? An modelling of this is when her grand young fair sex spoke one word of cut, and she was mad and disappointed. anyway the culture end, the different attitudes toward the raw(a) engineering and the appliance of the devil generation ar too a nonher grand issue. fixity in spite of sort the older generations, different opinion occurred. Elders wish well Niakoro, did non deal the deepens in the society and some other Elders like Mamadou Keita, is diffident whether the refreshful ancestry car is good or non. However, the residuum is that Fa Keita believed that pile should view parvenu involvement and he accepted the fact that the fibres of elders ar changing in the society. He said to Niakoro in the book, ? eventide we old people must identify, and recognize that the things people screw today were non born(p) with us. No, intimacy is not a familial thing.? What he meant is that, learning untested things is not a severeness thing because e genuinely one born with proscribed(a) well-educated anything, once we learned, we own. In addition, I want to communion somewhat the opinion of the young generations, which stand for by the attractor of the strike, Bakayoko. He and the people who work with him commend that they should learn more to the highest degree the political shape because they think the new machine is the hold taboo believe. He said in the book ?The kind of man we were is dead and our tho hope for a new address lies in the machine, which retires neither a words nor a clean? (76). In Bakoyoko?s mind, the new machine is the only thing they can work with that did not c be ab appear their fill and color. Another railway proletarian Tiemoko also said: ? provided the engines we run sound out the truth, and they dont discern the difference between a white man and a black (8). This truth is the comp are of freedom with objectivity or else than liberation through racial solidarity. The machine, which treats e genuinelybody the same, is also determinen as a symbol of resistance against colonialism in the strikers mind (Aguiar). Bakoyoko also give tongue to that,?We are driving a claim down the track, and frontwards of us we think we capture an obstacle which mystifys us afraid. be we going to founder the sustain even and say to the passengers, I cant go any farther; I think there is something up ahead that frightens me? No?we are responsible for the correct, and we must go forward and determine out if the obstacle really exists.? (175)In my opinion, Bakoyoko wants to tell other people the future(a) is delusion ahead on the tracks. evening though they did not acknowledge what is going to happen in the future, it is the only line up that they can find it out by learning and employ the new machine. That is why the younger generations see the new technology and the machine as a good thing and enclosure their hope into them. Another thing which I think is authorised to discuss about is the relationship between the train and the cut language. First, the arrival of the train is precise similar to the cut language that came with the colonizers. Same as position French in the increase system and force bookman to learn the language in separate to study, the workers find to learn about the new machine in collection to find a job. Besides, both the train and the language were from the west, which are new to the people compare to what they have originally known. On other hand, there is a jumbo difference between the language and the train. Like Bakoyoko stated early, machine did not know the difference of race, color or language, alleviate the language did show the difference of nationalities and race. Finally, I want to macrocosm lecture about women?s role in the novel. match to Gyasi ?It can be said that if the strike is the brainchild of the squat Bakayoko, the women are really the motivational force behind its achievement?. In this novel, the strikers gain healthy allies from the women. Without the helps of women, this strike win?t be succeed. In the beginning of the novel, the women did not know the flesh out of the strike, they were only supporting the man by staying home to take safeguard of the children and to find food.

tho the Adjibidji, the daughter of Bakayoko?s decedent chum salmon have shown interest in the strike and take her gramps to take her to a meeting. However, subsequently in the story, the women became more and more involved in the strike due to ? hunger out? plan from the French management. The French administrators decided to stop the strike by cutting mutilate the local rag of water system and food. Therefore, women became a more great role in the family since they are the one usally go out to find food and unravel the families. Soon after the ? hunger out? plan, the women started to act in the strike and to see themselves as an active strikers. It is the first time the women knew that they can make a difference not only in their own lives, but also in their society. It is also the first time they began to make themselves as a portion of the decision making processes in their communities. Among the women, Maïmouna, the trick alter lady, who always sings and give advice to the other women. In my opinion, she is a very important character in the story. According to Gyasi, ?She is the only charwoman who appears throughout the novel: she appears early and is the last voice we comprehend at the end?. The novel described her as this, ? plain the men were beginning to complain. Only Maïmouna, her baby strapped across her back, walked steadily, humming one of her eonian refrains.?(200). She has the strength from both permit and outside. Even though she is not the leader of the women?s march, her ease up give the courage to the women to keep going, and not stop until the net victory. In the story, Oumane shows the role change of women in the society and stuffy of all, he show people ?a world in which women will be seen? (Gyasi). In conclusion, I discussed the deferent conflict in the story, the different opinion from the two generation and the role of women in the society. This is not a novel about an peculiar(a) man or woman?s strengths and achievements, but the confederation as a whole. From the people involve in the strike, we learn that we can achieve anything if we running(a) hard and work together with each other. Work CitedAguiar, Marian . Smoke of the Savannah. MFS Modern deceitfulness Studies 49(2003): 284-305. Gods Bits of Wood. Colonial and Postcolonial. JULY 2001. Western dinero University . Gyasi, Kwaku . From Gods Bits of Wood to Smouldering Charcoal. French Colonial History 5(2004): 173-191. Ousmane, Sembene. Gods Bits of Wood. Heinemann, 1995. Scott , Cynthia. Gods Bits of Wood by Sembene Ousmane. Colonial and Postcolonial. 18 September 2006. Associated Content. . If you want to get a full essay, order it on our website: Ordercustompaper.com

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