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Thursday, April 11, 2013

Violence to Women and Shakespeare

Some of Shakespeares most red plays were by far his most usual during his lifetime. Although modern audiences are often repulsed by its gore and brutality, Titus Andronicus was a huge success in Tudor England. And certainly it is no coincidence that Shakespeare often deviated from his sources to include more titillating elaborate and include sensationalist melodrama into his psychological masterpieces. Hamlets father is poisoned with a potion so potent that it immediately causes bubbling scabs on his body; tabby Duncan is lured to Macbeths castle to be slaughtered in his bed, and so on.

There is a curtain raising of feminist psychoanalytic interpretation of Shakespeares works. In Shakespeares tragedies there is a shared fiction on the part of the heroes about womanhood and about their own vulnerability in relation to women. especially in the tragedies, the characters link masculinity with control, strength and success, and femininity with weakness, going away of control. The prospect of heterosexual union arouses emotional conflicts that give perform to the plot. From the point of view of Shakespeares tragedies, women are regarded as extremely aright and simultaneously extremely untrustworthy. They provoke fear in men, a fear that renders the men frail and fragile and they resort to rage so as to exhibit their physical strength and hence dominate women.

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The ultimate end of this domination is to restore the mans masculinity; because when a man perceives a woman with whom he is in any kind of close relationship as masculine, her masculinity breeds fear and the fear makes a man feel homogeneous a woman in the relationship.

Macbeth and Lear: of woman born

In Macbeth Shakespeare makes a sham social order that is completely based on violent masculine domination and the suppression of the feminine side. Even more so than in Hamlet or King Lear, masculinity...

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