Vincent van van van van van Gogh arrived in Arles, in the south of France, in 1888, hoping to establish an artists colony there. During the next few years, Van Gogh experienced the most intensely productive period of his life, picture some 400 works, including several versions of his blazing Sunflowers, his timeless shadow Café, living landscapes, portraits, and brilliant still life.
The nightlife in Arels brought out the slash of company, alcoholics, prostitutes, and the homeless. Van Gogh, the poor struggling artist, felt quite at home with this company. One of the meeting places was Café de la Gare, where Van Gogh rented a room. Van Gogh wanted to go far butt at the owner for paying rent, so he motley a picture of the café, trying to capture the dirty aspects of the café.
Van Gogh used blood red and green, contrasting colors, to express his feelings rough the café. The pictures large blocks of pure, flat color anticipate the later German movement of Expressionism in umteen ways (Cutts & metalworker 90). With Van Goghs trademark brushstrokes, he is able to give the error that the floor and the pool table are scuffed up from the many years of wear and tear. There is a feeling when smell at the floor that the splinters are ready to force ones bare skin.
The lamps that give off an almost tangible, luminous zilch add to the overall sense that, as Ban Gogh himself so aptly put it: It is the delirium tremens in to the full swing.(Cutts & Smith90) Van Gogh observes the people with no example judgment as he always does. The main examine in this painting is the figure next to the pool table. This is the owner of the café. He shows the owners face with no expression.
At Café de la Gare, Van...
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