She Stoops to Conquer does indeed satisfy the definition of satire given, the utilisation of instruments such as sarcasm, irony, wit, and humor in literary compositions that bag up follies and vices for criticism, ridicule, and scorn. Within the play, Goldsmith uses the different characters and their relationships with one other to hold up the issue of the differences of the various classes that existed during the era in which She Stoops to Conquer was written.
The most notable use of satire inwardly She Stoops to Conquer comes from the relationship that develops between the young Charles Marlow and Kate Hardcastle in which the main plot of the story revolves around. Sir Marlow, being timid when it comes to women of his own class, just now not with women of lower classes, is not only ineffectual to approach Miss Hardcastle, whom was the reason for his seeking out the Hardcastle estate, but was in like manner unable to even look upon her spunk.
Ha! ha! ha! Was there ever such a sober schmalzy interview? Im certain he scare looked in my face the whole time. Yet the fellow, but for his unaccountable bashfulness, is pretty well, too. He has good sense, but then so buried in his fears, that it fatigues one more than ignorance.
If I could teach him a little confidence, it would be doing somebody that I know of a piece of service... - Kate Hardcastle (pg 22)
Due to Marlows extreme timidity during their conversation with each other, Kate becomes driven to look deeper into Marlows character. Through talking to a maid, Kate finds out that Marlow would unable to recognize her if she was not dressed as one of a higher class. Kate then hatches a plan where she pretends to be a mere servant in order to...
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