Modernism in "A Lost Lady" vs "Passing".

The nub of a person lingers in ones memory level off long after that person has gone away. In the both modernist novels, A Lost Lady and Passing, the authors were both concerned with that crucial property that typefaceizes a person rather than their sureity. Larsen and Cather tell the layer of women who existed in literature primarily as an incorporeal being. By using the non-traditional topics that classify realist literature, each author builds a womans essence somewhat the issues of sexuality, race, gender and class. I feel that Willa Cather uses this approach to reality best to carry out the notion of essence in her novel. Skaggs paints out that Cather said while creating Marian Forrester in A Lost Lady she didnt want to make a point of reference study, but just a portrait like a thin miniature painted on ivory. A character study of Mrs. Forrester would have been very, very different. (Skaggs, pg. 45) Cather keeps the angle the reader sees of Mrs. Forrester purely from the outside. The reader sees her primarily from Niel, who wants so badly to know the real Marian. The same technique is used by Larsen in Passing, to shit an essence for Clare. Except that, Irene, the outside narrator, doesnt want to know Clare. She distorts the cast of Clare and misrepresents her true nature.

The issue of gender and sexuality is the most bountiful in Cathers novel. When the reader first hears about Marian Forrester, it is from a mans point of view. Skaggs observes that Marian is placed in a virile dominant society; The novel arranges several men around Marian Forrester and uses them to characterize the social attitudes this subject is most apt(predicate) to provoke. They walk around her and provide angles of vision, as around the celebrated jus on Sergeants...

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