Bathers in 19th Century Paris

Edgar Degas the Tub (fig 1) and Mary Cassatts the Bath (fig 2) possess women and the bath. One, displaying a nude woman bathing herself, and the other of a clothed woman bathing a child. Both pieces are products of the modernizing and urbanizing of Paris, which helped to create a unsanded and inspired way of feel at and creating prowess, as well as depicting transitory moments of everyday life in the city.

To gain how these paintings were a product of this new Paris, one must get a line both(prenominal) of the ways in which Paris was changing.19^th century France was a time of immense cultural change, particularly in Paris. there were many Conceptions of femininity...vision, imperialism, urban-ism, and modernist art practices,⁽¹⁾ such as impressionism. Impressionism was a coeval art movement, practiced by a small stem of artists, mainly from the bourgeoisie class, who rejected the classical, academic approach to art that came about during the renaissance. ⁽²⁾ This rejection stemmed from a new, post-revolutionary, democratic way of thinking, and some artists believed that the academic way of painting removed individuality from the pieces. ⁽³⁾ In this post-revolutionary era, below the rule of Louis Napoleon, the streets of Paris had transformed.



Gone were the old, medieval buildings, to be replaced with great row houses and wide boulevards, the handiwork of architect Baron Haussmann. These new, wider boulevards do it possible for cafes to extend outwards on to the terrace. The streets of Paris became a show, and its citizens would promenade the streets in separate to see and be seen. This new Paris sparked the impressionists, and artists began to paint scenes of modern life⁽⁴⁾, enamoured with the idea of capturing snapshots or ephemeral moments.

Degas the Tub and Cassatts the Bath, both geological dating back to...

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