Name: Toh Lai Hee
Class: IA05A (interactive)
Lecturer: Mumtaz Maricar
Subject: Space and Spectacle
Macoto Yanagisawa is a very talented and gifted synergistic multimedia artist. You could easily distinguish his works by his absolute passion in motion, atomic number 10 light and sound. His love in experimenting with visual effects is also one of his forte. An new(prenominal) commons characteristic of his works is the use of Macromedia Director. His utilization of the 3D locomotive of Director is superb. You could find impressive visuals in most of his synergistic pieces (from year 2000 onwards). He called this series of works as Interactive Motion Art.
Neon version 1 is one of his former works which derives from the series of Neon Light Illusion (his starting experimental piece). The pan and pitch of the sound changes with the movement of the creep cursor. The colour of the neon light also changes the pitch/ notion of the sound while your cursor moves around. Personally, I think the visuals ar very impressive. The colours blended in so easy with each other.
Another work which I believe was the upgrade or improvement from Neon is Alveolata Noctiluca Neonlight, which was done in 2001. There ar 24 types of style. Each style is represented by a Chinese explicate. So there are 24 Chinese words of course. The style is determined by the meaning of the Chinese word that appears on your screen. Whenever you right click your mouse, the style changed.
every style has their unique way of generating sound/audio. For example the Chinese word Fang Yin, this actually means Reaction in English. The Chinese word Fang Yin itself already speaks for its nature and style. You will see a neon light band (looks like rubber band) which changes colour as the particles rotate and a white circle band (again,
Quite a few times I found myself thinking of something other than what I was reading, so if need be, you should make this paper as interesting as it can be on a subject like this. Well written however, and also well-researched. right job.
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