Marriage is often viewed as an expected aspect of brio that is prerequisite in pronounce to be a whole and blissful person. Louisa, of Mary E. Wilkin Freemans A New England Nun, goes against this custom. When presented with the opportunity to marry, she rejects it. To her, a solitary liveness of domestic activities translates into happiness and contentment, while a married life is unfavorable and would actually make her unhappy due to the absence of her precious activities and the constant presence of a coarse and off-color man.
        Domestic activities? One may ask. How could activities as mundane as setting the table or sewing possibly match someone? While these activities are not viewed as fulfilling for the majority of people, they are actually a part of who Louisa is and she could not do without them. At one point, as Louisa is going through her methodic day-after-day activities, the narrator describes her actions. She quilted her needle carefully into her work, which she folded precisely, and laid in a basket with her thimble and thread and scissors. Louisa Ellis could not mark that ever in her life she had mislaid one of these minuscule feminine appurtenances, which had become, from long use and constant association, a in truth part of her personality.
These little activities are so important to her that they actually constitute her identity. This is so because it is these activities that give her fun in life. She utilise to occupy herself pleasantly in the summer weather with distilling the dessert and aromatic essences from roses and peppermint and spearmint, describes the narrator. Louisa dearly loved to sew a linen seam, not always for use, but for the simple, mild pleasure which she took in it. Sitting at her window during long treacly afternoons, drawing her needle...
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